Ralph Vaughan Williams
Ralph Vaughan Williams was born in 1872 in the Cotswold village of Down Ampney. He was educated at Charterhouse School, then Trinity College, Cambridge. Later he was a pupil of Stanford and Parry at the Royal College of Music after which he studied with Max Bruch in Berlin and Maurice Ravel in Paris.
At the turn of the century he was among the very first to travel into the countryside to collect folk-songs and carols from singers, notating them for future generations to enjoy. As musical editor of The English Hymnal he composed several hymns that are now world-wide favourites (For all the Saints, Come Down O Love Divine). Later he also helped to edit The Oxford Book of Carols, with similar success.
Vaughan Williams volunteered to serve in the Field Ambulance Service in Flanders for the 1914–1918 war, during which he was deeply affected by the carnage and the loss of close friends such as the composer George Butterworth.
Before the war he had met and then sustained a long and deep friendship with the composer Gustav Holst. For many years Vaughan Williams conducted and led the Leith Hill Music Festival, conducting Bach’s St Matthew Passion on a regular basis. He also became professor of composition at the Royal College of Music in London.
In his lifetime, Vaughan Williams eschewed all honours with the exception of the Order of Merit which was conferred upon him in 1938. He died in August 1958 and his ashes are interred in Westminster Abbey, near Purcell.
In a long and productive life, music flowed from his creative pen in profusion. Hardly a musical genre was untouched or failed to be enriched by his work, which included nine symphonies, five operas, film music, ballet and stage music, several song cycles, church music and works for chorus and orchestra.
Catalogue
| Concerto Accademico (Orchestral Version) | ALTOP023 |
|
Ralph Vaughan Williams wrote Concerto Accademico between 1924 and 1925. It was originally written for violin and string orchestra and is dedicated to the soloist who gave the premiere performance, Jelly d'Aranyi. The concerto is in traditional three-movement form and features a driving, rhythmic first movement followed by a rich, poetic slow movement. The final movement takes the form of a lively jig, borrowed from Vaughan Williams' opera Hugh the Drover. In 2005 David Danford arranged the concerto for marimba and vibraphone. He gave the first full performance with piano at Oystermouth Music Festival in June 2006 and the orchestral premiere with the RNCM String Orchestra in February 2008. This version is dedicated to the RVW Society, the main aim of which is to widen the knowledge, understanding and appreciation of the music of Ralph Vaughan Williams both in Britain and abroad. Instrumentation: Duration: 17 minutes Availability: Ralph VAUGHAN WILLIAMS (1872 – 1958) Contact details: Telephone: +44 (0)1865 353699 or 353323 |
|
| Concerto Accademico (Piano Reduction) | ALTOP023 |
|
Ralph Vaughan Williams wrote Concerto Accademico between 1924 and 1925. It was originally written for violin and string orchestra and is dedicated to the soloist who gave the premiere performance, Jelly d'Aranyi. The concerto is in traditional three-movement form and features a driving, rhythmic first movement followed by a rich, poetic slow movement. The final movement takes the form of a lively jig, borrowed from Vaughan Williams' opera Hugh the Drover. In 2005 David Danford arranged the concerto for marimba and vibraphone. He gave the first full performance with piano at Oystermouth Music Festival in June 2006 and the orchestral premiere with the RNCM String Orchestra in February 2008. Instrumentation: Despite being scored for performance on a five-octave marimba (and three-octave vibraphone), the majority of the concerto can be performed on a 4 1/3 octave instrument. Simply omit the low D at the Presto in Movement I and the lower octave in the final six bars of Movement III. Duration: 17 minutes
Price: £19.95
|
|
